I like to think of myself as a storyteller through photography and my camera lens offers a concrete expression that will transcend time. My passion for photography came in my early years and has allowed me to identify and navigate the subtle nuances that make each person unique. Catching them at just the right moment produces exquisite works of art that will be cherished forever. My photographs have been described as engaging, affectionate, insightful and alluring.
My entire life has been dominated by my passion for photography. From the minute I picked up a camera, I was captivated. I love telling the story about the relationships between individuals; capturing those special moments of joy and contentment. Whether it’s a family portrait, a wedding, or a special event, I like to capture the “in-between” moments that are the most candid and authentic.
Lynsey Weatherspoon is a portrait and editorial photographer based in both Atlanta and Birmingham. Her work has appeared in The New York Times, USA Today, NPR, Wall Street Journal, Washington Post, Time, ESPN and ESPN-owned The Undefeated. The fingerprint of heritage can be found on assignments and personal projects featuring Black Lives Matter, Gullah Geechee culture, unsung players in the Negro Baseball League, and the last of dying breed – a shoe cobbler. Her work has been exhibited at The African American Museum in Philadelphia and Photoville NYC. She is an awardee, The Lit List, 2018. Her affiliations include Diversify Photo, Authority Collective, and Women Photograph.
L. Kasimu Harris is a New Orleans-based artist whose practice deposits a number of different strategic and conceptual devices in order to push narratives. He strives to tell stories of underrepresented communities in New Orleans and beyond. Harris has shown in numerous group exhibitions across the US and two international exhibitions and has had five solo photography exhibitions. In 2018, his War on the Benighted series was a part of Changing Course: Reflections on New Orleans Histories, a group exhibition at the New Orleans Museum of Art. Harris’s feature for Edible New Orleans was selected for the book Best Food Writing 2016 and earlier this year, his writing and photographs were featured in ” A Shot Before Last Call: Capturing New Orleans’s Vanishing Black Bars” that was published in The New York Times.
Harris’s essay, The Dismantling of Southern Photography was recently published in the Ogden Museum of Southern Art’s catalog, “New Southern Photography.” Harris has images in several publications including Dandy Lion: The Black Dandy and Street Style, by Shantrelle P. Lewis by Aperture. His photography has been featured in many publications including National Geographic, NPR, Esquire, and California Sunday Magazine.
Currently, Harris is among 60 artists selected nationwide for State of the Art 2020 at Crystal Bridges Museum of American Art and has a solo exhibition, Vanishing Black Bars & Lounges: Photographs by L. Kasimu Harris at the August Wilson African American Cultural Center in Pittsburgh. His work is also in group exhibitions at the Ford Foundation Gallery and the Ogden Museum of Southern Art.
Harris earned a BBA in Entrepreneurship from Middle Tennessee State University and an MA in Journalism from the University of Mississippi. He is on the Board of Trustees at the Ogden Museum of Southern Art.
Harris was a 2018 Artist-in-Residence at the Center for Photography at Woodstock and is a 2020 Joan Mitchell Center Artist-in-Residence.
Sign up to be notified when the next photo essay is released.